See.
There is a boundary between the intention of the sender and the impression received by the viewer.
We regard that boundary as a point of view from which to consider where the subject’s value lies and how it should be seen.
What shapes the subject, and what should remain in the photograph?
At the same time, who will see the photograph, what will they feel, and how will they remember it?
Keeping the subject at the center, we determine what belongs in the photograph.